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The master takes from the crucible the glass paste made with silica, soda and colored by metal oxides.
After having imprinted the texture on the glass, with the help of the barrel, the master blows it into the mold.
The piece, once tempered, is ready to be cut and divided from the "galotta".
The main underlying part is ground and finished. The "galotta" remains as a production waste.
Our artists recover the “galotta”, transforming it into a new product.
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